Showing posts with label cultures. Show all posts
Showing posts with label cultures. Show all posts

Africa and Music

Music of Africa is as vast and varied as the continent's many regions, nations and ethnic groups. Although there is no distinctly pan-African music, there are common forms of musical expression, especially within regions. Some musical genres of northern and northeastern Africa, and the Islands off East Africa, share both traditional African and Middle Eastern features.
instrumentsBesides using the voice, which has been developed to use various techniques such as complex melisma and yodel, a wide array of musical instruments are used. African musical instruments include a wide array of drums, slit gongs, rattles, double bells as well as melodic instruments like string instruments, (musical bows, different types of harps and harp-like instruments like the Kora as well as fiddles), many types of xylophone and lamellophone such as the mbira and different types of wind instrument like flutes and trumpets.
Drums used in African traditional music include tama talking drums, bougarabou and djembe in West Africa, water drums in Central and West Africa, and the different types of ngoma drums (pronounced by some "engoma") in Central and Southern Africa. Other percussion instruments include many rattles and shakers, such as the kosika, rainstick, bells and woodsticks.
A lot of African traditional music is or was performed by professional musicians. Some of it is belong to court music or sacral music traditions, therefore the term "folk" music is not always appropriate. Nevertheless, both the terms "folk music" and "traditional music" can be found in the literature.
Sub-Saharan African folk music and traditional music is mostly functional in nature. There are, for example, many different kinds of work songs, ceremonial or religious music and courtly music performed at royal courts, but none of these are performed outside of their intended social context.
Music is highly functional in African ethnic life, accompanying childbirth, marriage, hunting, and even political activities. Similarities with other cultures, particularly Indian and Middle Eastern, can be ascribed primarily to the spread of Islam.

Africa and Music, dance

Music Africa is one of its most dynamic art forms, The Egypt has long been a cultural focus of the Arab world, while remembrance of the rhythms of sub-Saharan Africa, in particular West Africa, was transmitted through the Atlantic slave trade to modern samba, blues, jazz, reggae, rap, and rock and roll. The 1950s through the 1970s saw a conglomeration of these various styles with the popularization of Afrobeat and Highlife music. Modern music of the continent includes the highly complex choral singing of southern Africa and the dance rhythms of soukous, dominated by the music of the Democratic Republic of Congo. Recent developments include the emergence of African hip hop, in particular a form from Senegal blended with traditional mbalax, and Kwaito, a South African variant of house music. Afrikaans music, also found in South Africa, is idiosyncratic being composed mostly of traditional Boer music, while more recent immigrant communities have introduced the music of their homes to the continent.
Indigenous musical and dance traditions of Africa are maintained by oral traditions and they are distinct from the music and dance styles of North Africa and Southern Africa. Arab influences are visible in North African music and dance and in Southern Africa western influences are apparent due to colonisation.
Many African languages are tone languages, in which pitch level determines the meaning. This also finds expression in African musical melodies and rhythms. A variety of musical instruments are used, including drums (most widely used), bells, musical bow, lute, flute, and trumpet.
African dances are important mode of communication and dancers use gestures, masks, costumes, body painting and a number of visual devices. With urbanisation and modernisation, modern African dance and music exhibit influences assimilated from several other cultures.
The treatment of "music" and "dance" as separate art forms is a European idea. In many African languages there is no concept corresponding exactly to these terms. For example, in many Bantu languages, there is one concept that might be translated as "song" and another that covers both the semantic fields of the European concepts of "music" and "dance". So there is one word for both music and dance (the exact meaning of the concepts may differ from culture to culture).
For example, in Kiswahili, the word "ngoma" may be translated as "drum", "dance", "dance event", "dance celebration" or "music", depending on the context. Each of these translations is incomplete.
Therefore, from an intracultural point of view, African music and African dance must be viewed in very close connection. The classification of the phenomena of this area of culture into "music" and "dance" is foreign to many African cultures.